Tuesday, November 29, 2011
Mutts CD Release, Glittermouse EP Release, Sleepy Kitty and Hemmingbirds Thur Dec 1 Subterranean
Thanks to August at Novo and to Mutts for the invite. This was a loud fun show full of energy and the house was pretty full and very energetic . Sleepy Kitty's indie blues pop sound was pretty catchy and a band you should check out. Glittermouse also released an ep and played a really nice se as they played a brand of prog indie music that was driven by 3 guitars. you should check out their ep series that they released this year. Hemmingbirds never disappoints and played a few songs from the new album they are working on. They seem to get tighter and tighter. Always enjoy talking with them. Finally Mutts closed out the show playing a bunch of songs from the new album due out very soon. The album is really good and adds some new sound elements to the Mutts musical oeuvre. I will be doing a review very soon. Always a good time talking with Mike and the band. You can buy a vinyl of his new album, info is on his FB page. There are always so many musicians at Mutts shows and it's fun to talk to all of them. Unfortunately I don't have the best memory, and beer doesn't help matters. So hi to all of them. It was a great time and I would suggest seeing all of these bands.
Wednesday, November 16, 2011
The Goldroom - "All Thumbs" video !!!
Good friends in Nashville based The Goldroom have a new video for their song "All Thumbs". The song is off their new album The Surrounding Hours, you can see my review of that cool album HERE. The video was shot by Ernie Gray. It's a very solid looking video that was cut well. I enjoy it quite a bit. Linked below is the Bandcamp link you can purchase their album at.
Friday, September 23, 2011
The GoldRoom - The Surrounding Hours (LadyLovelyLabel)
Hailing from Nashville , The GoldRoom play a brand of indie rock that is reminiscent of early 90's Sacramento scene (Deftones) that featured off kilter guitar driven rock with ambient leanings. Also in the mix is the melodic sense of Dave Grohl. There are some nice dissonant touches like on "New Drifter" that give these songs some depth and leaves a rough around the edges sound that I think pays off in spades. Wish more bands would leave some of those rough touches in as I think they convey what it must be like to see the band live. "All Thumbs" is a funk fueled track that would make Living Colour proud. "My Darling" is an instrumental track that is most progressive sounding of the bunch that does a slow smolder throughout. I have had this album on repeat for a while now and it most likely will appear on my year end list. Maybe I can sponsor them on a bill when they come play here!
The GoldRoom are Shane Ball, Darin Ledford, Kevin Torbett and Joey Campbell. They gig out quite a bit in the Nashville area see them live!
Friday, August 26, 2011
Jennifer Hall - In This (album review, Lincoln Hall show review, Schubas album release show preview)
So this post has been a while in coming. I have had medical issues that precluded me from doing any reviews the way I wanted. Now it has grown to a super post with an album review, show review of Jennifer Hall's show at Lincoln Hall a few weeks ago and a preview of her album release show on Sat. Sept.3rd at Schubas.
Chicago's Jennifer Hall's debut album In This is a soulfully sung collection of songs that touch on everything from torch song with "Green and Blue" to straight ahead indie rock of "When We Were Good". Though the sound varies the constant of the album is Jennifer's heart felt vocals. In many ways Jennifer reminds me of Lissie with their gritty vocal delivery about every day life. Jennifer does this on "Like I Lie To You" where she laments and accosts, 'touch me like I wish you could... sing to me empty words like I lie to you let's go on pretending...go on fuck the truth.' That's about as succinct as vocals can get. I love it! My favorite track on In This is "Wash Away" which showcases Jennifer's range from whisper quiet to full out blues blast. There is an honesty in her songs and the way that she delivers them the makes her stand out from many who sing the same types of songs. No big strings flourishes or unnecessary sounds. Just a really tight band a pretty nice synergy between band and Jennifer on tracks like "Too Busy Dreaming" which also features some nice harmonies. You can pre-order by clicking on her Bandcamp link above and ordering In This there. She will also be selling vinyl of the album as well.
My wife and I caught her show a few weeks ago at Lincoln Hall and her stage banter had an ease that was a joy to watch. The night's highest point was her high notes that make you amazed such a big sound came from someone her size. Her band was tight and the overall sound was something to behold. I suggest you go see Jennifer Hall's 21 and over release show is at Schubas next Sat 9/3 and will also have Ben Joseph and The Mathematics, as well as Matthew Santos on the bill.
Thursday, July 21, 2011
Lizard Kisses - Hirono (Beko DSL)
Usually I don't review singles. I have a hard enough time keeping up with my Creative Commons obsession. The "Hirono" single by New York lo-fi pop music outfit Lizard Kisses is an exceptional case. The band is Marc Merza and Corey Siegler who make intimate pop songs. In this single's three songs are the kind of lazy gauzy pop songs that are a perfect pace for the extremely hot Summer days. This single is innovative in that can be played turned label down and the played on a record player. Have you ever heard of such a thing? I haven't. Below is the Youtube video showing how the single plays on a record player. This is on the very cool Beko DSL which releases some damn fine music and features these singles every Monday. It really nice to see them getting some exposure off the heels on Sleeping In, an album you'll want to check out, which is a name your price download on their bandcamp. If you do download for free, think about purchasing the Beko single or a handmade by Marc and Corey cover cd copy of Sleeping In. This single is innovative and features three pop songs you'll want to listen to. Thanks to Marc and Cory for a copy of the single.
Friday, July 8, 2011
Tune Yards - W H O K I L L ( 4AD )
W H O K I L L finds the wildly imaginative Merrill Garbus yet again utilizing African rhythms to drive these songs that are a perfect mix of pop, jazz, blues and an outsized amount of soul. The things that were most exciting about Tune -Yards Bird-Brains are still present; the sparse production that let the soul of these songs breathe, a mixture of self recorded samples, and Merrill's voice without effects. The centerpiece of these songs is her amazing ear for making a melody out of even disparate sounds pieces of sound as on "Riotriot" and "Es-so". It is almost a given just two albums and one ep that Merrill could make any type of music she desired.
"Gangsta" starts and stops time and again and is accented by some nice jazz fills on bass and the crazy sax all make for a loud great mess.
"Powa" is 100% raw Merrill. "Your heart, inside, it rocks me like a lullaby" she oozes. (video below)
The beautiful cascade of vocals on "Bizness" (the first single and a free mp3 download) gives way to Merrill's signature insistent pleading vocal style. There are some direct jazz touches in the vocals that then usher in the nice sax runs. "I'm the victim yeah, don't take my life away, don't take my life away".
The Mowtown girl group beauty of "Doorstep" finds Merrill taking old soul to a very new and fresh place. "Well I try so hard to be a peaceful loving woman , I believe that love and understanding were the way, oh but how many gone before you listen to the cries, with my dead heart, how do I find my way through the truth and all the lies". So she writes some very deep lyrics at times.
I would dare anyone to listen to "You Yes You" (video below) and try not to dance. The loop effects on this track are especially nice.
This album has so many different sound textures and feelings because that's how Merrill writes her songs. You can feel exactly what she is feeling. It's amazing to think she could actually grow the sounds of Bird-Brains and still retain the individuality. On top of being a wildly talented songwriter and posessing an ear that many do not, she is in control of the whole process and has created a masterpiece of an album. To date this is my most listened to album for the year and it's well deserved. I can never just listen one track.
I was lucky enough to interview Merrill at the Chopin Theatre in Chicago off her tour of Bird-Brains. She was totally unassuming and accommodating. The gentle soul she sings about being in her music is the person who she is in person. Also she performed a few songs that she was working on for W H O K I L L so I will post a few of those. See her live at all costs, it will be one of the best shows you will see. She is totally invested live. Thanks again to Merrill and Carolyn at 4AD for the interview.
"Gangsta" starts and stops time and again and is accented by some nice jazz fills on bass and the crazy sax all make for a loud great mess.
"Powa" is 100% raw Merrill. "Your heart, inside, it rocks me like a lullaby" she oozes. (video below)
The beautiful cascade of vocals on "Bizness" (the first single and a free mp3 download) gives way to Merrill's signature insistent pleading vocal style. There are some direct jazz touches in the vocals that then usher in the nice sax runs. "I'm the victim yeah, don't take my life away, don't take my life away".
The Mowtown girl group beauty of "Doorstep" finds Merrill taking old soul to a very new and fresh place. "Well I try so hard to be a peaceful loving woman , I believe that love and understanding were the way, oh but how many gone before you listen to the cries, with my dead heart, how do I find my way through the truth and all the lies". So she writes some very deep lyrics at times.
I would dare anyone to listen to "You Yes You" (video below) and try not to dance. The loop effects on this track are especially nice.
This album has so many different sound textures and feelings because that's how Merrill writes her songs. You can feel exactly what she is feeling. It's amazing to think she could actually grow the sounds of Bird-Brains and still retain the individuality. On top of being a wildly talented songwriter and posessing an ear that many do not, she is in control of the whole process and has created a masterpiece of an album. To date this is my most listened to album for the year and it's well deserved. I can never just listen one track.
I was lucky enough to interview Merrill at the Chopin Theatre in Chicago off her tour of Bird-Brains. She was totally unassuming and accommodating. The gentle soul she sings about being in her music is the person who she is in person. Also she performed a few songs that she was working on for W H O K I L L so I will post a few of those. See her live at all costs, it will be one of the best shows you will see. She is totally invested live. Thanks again to Merrill and Carolyn at 4AD for the interview.
Tuesday, June 14, 2011
Jump Starts - Ready, Set, Go
The ever talented singer song-writer Justin Johnson (Pretty Little Empire) is at it again with his new project, Jump Starts. He is joined by Sarah Ross (Paper Dolls) who plays drums, claps and sings. By deductive reasoning this should be a great album. Pretty Little Empire have made my most listened to albums of the last 2 years and Paper Dolls recently released an album I had on repeat, I loved it so much. Well, this album is every bit as good as I would have guessed. Ready, Set Go hearkens back to the 1950's and pays an astute homage to the likes of Buddy Holley and Eddie Cochran. Justin and Sarah add touches of Americana and even a bit of 80's pop sensibility with the way the chorus is repeated as Justin sings the lead over it to make these sparkling pop songs that feature unconventional structures at times.
The vocal mix on "It's Not Over" is stellar and showcases Justin's ease with melody. The 50's influenced "Can You Help Me" call and response vocals with Justin's earnest pleading lends a level of urgency to the boy aching about a girl sentiment. "Come Home Come Home" would probably be the radio lead single from this collection of songs. Just the right vocal mix coupled with the little jazz shuffle of Sarah's on drums.
Sarah's loose sounding percussion is the perfect counterpoint to Justin's precise songwriting and tight melodies. I am fortunate to have heard some of these songs in their original form as i-phone demos Justin made with the phone in the bathroom sink. In this Jump Starts form these songs manage to vary by the song structure as well as an ever changing way that Justin and or Sarah sing the choruses. The production is kept sparse and puts a spotlight on the ridiculously talented melodic ears of Justin. I saw Jump Starts play in St. Louis a few months ago and they were every bit addictive live as on Ready Set Go. Justin and Sarah will have a album release show this Sat June 18th at Jefferson Warehouse (St. Louis) with a really cool band Blood Pony (their last show as a band).
Labels:
50's influenced pop,
Americana,
Go,
indie,
Jump Starts-Ready,
Justin Johnson,
Sarah Ross,
Set,
St. Louis