Pretty Little Empire - Reasons and Rooms (Release Show Nov. 27)

Pretty Little Empire :

Justin Johnson - Vocals, guitar
William Godfred - Guitar, vocals
Wade Durbin - Bass vocals
Evan O'neal - drums, vocals


Pretty Little Empire's second LP Reasons and Rooms manages to broaden their musical horizon from folk to include early 90's indie punch guitar and post punk. The songwriting is as good as ever and this album finds the band experimenting a little more with new musical textures that still adhere to the tenants of this band's sound. The addition of Evan on drums has made the sound more complex and seems to give Wade some more places to take his bass lines. Justin, Will and Evan all sing commendable lead parts on songs making the overall sound varied. It's fun to try to tag each ones vocals. Also listen for some of the mixes that have dual lead vocals with one persons voice slightly out front, which requires vocal abilities that all of the members posses.




"Now Is The Time" begins with a nice acoustic riff and features great harmonies. This foreshadows the guitar to come. I love how they switch up the pairings of band members on the harmonies. Great opener that doesn't give away the surprise to come.

"Dakotas" is a b-side from the first PLE album Sweet Sweet Hands. It's really cool to see the difference in the song. It's a much fuller song on this record that utilizes Evan's driving drum part and Will's big guitar to make it a quicker louder song. Yet it keeps the shouted chorus and bouncing rhythm that made this song so damn catchy when I heard it as a b-side.


"Island (nc)" feature Evan on lead vocals and some beautiful harmonies that make it a really good song, but I am not sure that the song fits with the rest of the feel of the album. I think the feel of this is more of a southern rock feel.

Strains of the old PLE meet with the new PLE on "Let's Say 'I do'". Love the bounce of this song. Some Sugar style guitars and Justin Johnson's interesting cadence make for a song that will run in your head again and again. The trumpet, played by Jim Manley, gives this song a nice dynamic.

Justin sent me the first version of "Perfect Hearts" that he recorded on his i-phone. Evan's keys and glockenspiel make this a really full sounding version. The break toward the end is really nice and builds to the nice blissful level of a dreamy pop sound that is augmented by Cathie Degler's cello.

"Wasted Days" showcases Evan on drums. I am a sucker for the drums here. Near marching snare roll at the beginning gives way to Evan's controlled jazz bursts. Will's post punk guitars and Wade's thumping bass line make this the highlight of their live set. I wish they had added a little of the hoarse emotive vocals that I have seen them use when playing this song live. It's such a big sound and everyone is in the pocket. So good!

On "Cinnamon Toast" Will sings lead. Even though Justin and Will vocal range is similar, the inflection and cadence are indeed different. This is a post rock song of the first order. Jangly guitars with simple repeating rhythms make for a larger than life sound. Amazing to think this is the same band that put out Sweet Sweet Hands. Again the driving bottom here with Evan playing on and off the cymbals adds another dimension.

Because I was such a big fan of the first album, I was pretty sure I would love this one, and I do. But the few surprises on this album like "Morning's Been Hard" are songs that are surprising and it's exciting to hear the new direction. On this track Evan sings lead and plays keys. The single guitar notes along with the keys make a complete thought expressed which obviously needs input from everyone in the band to achieve the greatness that this song does. Sublime and dense with simple instrumentation this song has everything in the perfect amounts.

"Reasons Are Wrong" is a nod for sure to PLE's roots. It's another song I heard Justin play as an i-phone demo. Such a bright wash of sound was added to this album version. "Don't take anything from a hand that reaches out for you, don't you understand anything anymore" Justin and Evan sing. The trumpets and piano are nice touches.

The closer is "You Can't Have It All" which features screaming guitars and Justin's pleading vocals. "I don't think it's right , when we fight all the time, and you don't want to say where we are". Such simple words that can have multiple implications. This is another song I wished that the vocals on the chorus were allowed to over modulate a bit. It would add to the insistence of Justin's delivery. Maybe I am spoiled with seeing this live and am just trying to hear the live version. So then I can only give this song a 4.75 out of 5.

So this is a powerful follow up album for these really nice guys from St Louis. I listen to so many albums and like so many albums that sometimes they bleed into one another, but this album truly stands on it's own. They have infused their folk/Americana/Western sound with early 90's guitar which is a win and win. They have managed to incorporate the different sounds seamlessly and make their own sound. You can hear hints of yet another shift in their sound that may lean toward the experimental and not rely on classic instrumentation alone. I consider myself fortunate to be friends with these guys and be able to hear all of their various music projects while they are being made. I am thankful to them for that and look forward to the next album!

Their album release show will be at Firebird Theater in St Louis on Nove. 27.The album will be for sale after that date. Keep an eye on their fb page for mare info. Or check out my info, I will have it just before the show.

Thanks to my editor in chief and just chief in general, Kathy.

Hemmingbirds - Death Wave

Death Wave is comprised of fully realized indie pop songs that have subtle influences of jazz influenced rock (math,progressive) that seamlessly meet with indie pop sounds akin to Decemberists and Arcade Fire. This album has really good production and never loses it's focus, quite an achievement over the span of 10 songs. Chicago based Hemmingbirds should be proud of this album that places them firmly on the list of great Chicago indie bands. The band originally began as a solo project by Yoo Soo in the fall of 2009. Over the period of seven months, Yoo Soo performed, recorded, produced, mixed, and self-released “Death Wave” with the aid of Zach Benkowski on drums. He has since then recruited Tim Cap, Laurence Almalvez, and Brian Choi to create the 5-piece band it currently presents itself to be.




"Mellow Gold " haze has an instantly recognizable melody and a killer hook that is reminiscent of the best Weezer hooks. Tight production and from the toms at the beginning to a build to the cymbals at the end the percussion works really well.

Love the break in "Old Fire". The strings are nice on this track as they compliment the Yoo Soo's vocals as they soar high in higher. The time switches on this song keep it interesting.

'The rhythms and the standards of modern living, they weld our feet, to a growth of scenery', Yoo Soo explains in "In the Event of Failure" which starts off with just an acoustic guitar and voice. This is nice and helps to underscore the tale how we live. 'To future selves that sulk in failure the pain is a temporary tie'. Another nice momentum build toward the end of the song.

The prog. rock punch on "Perpetuator" switches up the sound a bit that it outfitted with a marching snare drum beat. After listening to the first 5 songs the loudness of this track comes as a pleasant surprise.

Yet another surprise on first listen was the psyched out Floyd like "Slippery Slope" with even bigger guitar. This really feels like a true updating of that song, which you don't hear often. Reminiscent of Omar Rodriguez Lopes (Mars Volta).

On the last track, "Death Wave/Color Swirls" there is some beautiful guitar work in this waltz timed ballad.

It's pretty obvious that Yoo Soo can pick up any style of rock/pop he wishes and put his own unique stamp on it. That's a good thing for us music fans. Though people get so caught up with trying to root out influences. if the music is really good then the influences will hit you afterward. This is the case for me with this splendid album. It's amazing to think Yoo Soo recorded it all himself, save for some drums. If this sounds really good to you then you can see him in person THIS FRI AT BEAT KITCHEN!!!! He is playing with Mutts, who I have reviewed this week as well. Archie Powell and The Exports as Well as Glittermouse on this bill. I will be there.

21 - Oh My!

Check out these Swedes on their bandcamp page. Download this for FREE. It's in the Franz Ferdinand and The Strokes vein. I downloaded this and enjoy the pop energy.